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Julius Caesar (Folger Shakespeare Library) [Shakespeare, William, Mowat, Dr. Barbara A., Werstine Ph.D., Paul] on desertcart.com. *FREE* shipping on qualifying offers. Julius Caesar (Folger Shakespeare Library) Review: Best Introduction To Shakespeare - If you are just starting to read Shakespeare on your own, and want a good starting point, look no further than this Folger Library treatment of his great political drama. It was the Folger edition of "Julius Caesar" that grabbed me back in the ninth grade, when I was failing all my classes and hardly hitting my assigned reading. This has it all: Indelible characters, hard-hitting action scenes, tricky "what-would-you-do" moments, and text that you can grasp readily thanks to the Folger practice of laying out the tricky parts on the opposite page. Guess what: There aren't so many "tricky parts" in "Julius Caesar" as you might expect from reading "Hamlet" or even "Midsummer Night's Dream." There are many, many great lines, some quite famous and instantly recognizable to anyone with a bit of cultural awareness. "Beware the ides of March!' "The fault, dear Brutus, is not in our stars,/But in ourselves..." "Yond Cassius has a lean and hungry look." "...it was Greek to me." "Cowards die many times before their deaths;/The valiant never taste of death but once..." And that's just in the first two acts. The great speech everyone remembers, the one which begins "Friends, Romans, countrymen, lend me your ears," is especially powerful when read in context. It is delivered by the play's most fascinating character, Mark Antony. At this point in the play, the title character is [Big Spoiler Coming] terminally indisposed, and most of the people who have been doing the talking are fine with this. Then Mark Antony comes on stage, and with that line, and the next several that follow, he effects a tremendous turnabout in the storyline, among the most memorable ever devised. It's a riveting, passionate, and snarkishly satirical scene, as the cynical-yet-somehow-admirable Mark Antony winds up a crowd of passive Romans into complete bloodlust. The scenes are sharp like that throughout, something that can't always be said of Shakespeare. He's often ambiguous, but seldom as effectively as here. The dilemma of Brutus, who sees a man whose power is going to his head, is one we can relate to, as we see that side of Caesar, too, but is the prescribed cure better than the sickness, or is Brutus just the wrong physician? We get one unalloyed villain in Cassius, whose very name is snakelike and who seems to operate on Brutus like a proto-Iago, but different readers will come away with different perspectives on his plotting. Probably written in 1599, just as Shakespeare was entering his decade of greatest accomplishment, "Julius Caesar" may be with "Romeo & Juliet" and "MacBeth" the safest bet for a high-school or junior-high-school English teacher. I can't think of an easier play of Shakespeare's to read, or maybe even enjoy. Add to that the levels of deception, subtle characterization, and satirical realpolitik to be discovered, and you have a play that satisfies as much as it draws you in. Review: Rome, according to Shakespeare - Back in the 2000's, I had a temporary fascination with Shakespeare. I read a total of eight plays, including "Titus Andronicus" & "Much Ado About Nothing." Then, all of a sudden, I stopped. Shakespeare no longer interested me, as I was moving on to contemporary and fantasy fiction. Now that we're at the start of a new decade, I'm beginning to return to the plays that I have read. "Julius Caesar" was one of the more compelling Shakespeare plays that I have ever discovered. I had just finished reading it last night (it's the third time that I've read it), and I was still amazed by the richness of the text. The plot is something that almost everybody knows: Julius Caesar is assassinated by the Senate. The play, however, doesn't make this the highlight of the story (even though the famous "Et tu, Brute?" quote is here), but it's what happens before and after the actual death of Caesar that's relevant. Marcus Brutus, Caius Cassius, and many others have conspired against Caesar, who has a chance at becoming the leader of Rome. And when these men take him down, the mayhem begins. What I love about this play is not because of its historical accuracy, which I doubt that it is actually accurate, but because of the character studies of the men that have conspired against Caesar. Brutus, especially, is in a constant personal battle between justice, friendship, and loyalty. Of the play itself, Shakespeare is without a doubt a master of words. Allegory and metaphor play important parts in the text, and thanks to the explanatory notes, I can understand Shakespeare a bit more. In conclusion, I can fully acknowledge that "Julius Caesar" is one of my personal favorite Shakespeare plays. It deserves its recognition has one of his finest ever written.
| ASIN | 0743482743 |
| Best Sellers Rank | #10,548 in Books ( See Top 100 in Books ) #4 in Tragic Dramas & Plays (Books) #7 in British & Irish Dramas & Plays #17 in Shakespeare Dramas & Plays |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,848) |
| Dimensions | 4.19 x 0.8 x 6.75 inches |
| Edition | Reprint,Updated |
| ISBN-10 | 9780743482745 |
| ISBN-13 | 978-0743482745 |
| Item Weight | 4.8 ounces |
| Language | English |
| Print length | 288 pages |
| Publication date | January 1, 2004 |
| Publisher | Simon & Schuster |
B**M
Best Introduction To Shakespeare
If you are just starting to read Shakespeare on your own, and want a good starting point, look no further than this Folger Library treatment of his great political drama. It was the Folger edition of "Julius Caesar" that grabbed me back in the ninth grade, when I was failing all my classes and hardly hitting my assigned reading. This has it all: Indelible characters, hard-hitting action scenes, tricky "what-would-you-do" moments, and text that you can grasp readily thanks to the Folger practice of laying out the tricky parts on the opposite page. Guess what: There aren't so many "tricky parts" in "Julius Caesar" as you might expect from reading "Hamlet" or even "Midsummer Night's Dream." There are many, many great lines, some quite famous and instantly recognizable to anyone with a bit of cultural awareness. "Beware the ides of March!' "The fault, dear Brutus, is not in our stars,/But in ourselves..." "Yond Cassius has a lean and hungry look." "...it was Greek to me." "Cowards die many times before their deaths;/The valiant never taste of death but once..." And that's just in the first two acts. The great speech everyone remembers, the one which begins "Friends, Romans, countrymen, lend me your ears," is especially powerful when read in context. It is delivered by the play's most fascinating character, Mark Antony. At this point in the play, the title character is [Big Spoiler Coming] terminally indisposed, and most of the people who have been doing the talking are fine with this. Then Mark Antony comes on stage, and with that line, and the next several that follow, he effects a tremendous turnabout in the storyline, among the most memorable ever devised. It's a riveting, passionate, and snarkishly satirical scene, as the cynical-yet-somehow-admirable Mark Antony winds up a crowd of passive Romans into complete bloodlust. The scenes are sharp like that throughout, something that can't always be said of Shakespeare. He's often ambiguous, but seldom as effectively as here. The dilemma of Brutus, who sees a man whose power is going to his head, is one we can relate to, as we see that side of Caesar, too, but is the prescribed cure better than the sickness, or is Brutus just the wrong physician? We get one unalloyed villain in Cassius, whose very name is snakelike and who seems to operate on Brutus like a proto-Iago, but different readers will come away with different perspectives on his plotting. Probably written in 1599, just as Shakespeare was entering his decade of greatest accomplishment, "Julius Caesar" may be with "Romeo & Juliet" and "MacBeth" the safest bet for a high-school or junior-high-school English teacher. I can't think of an easier play of Shakespeare's to read, or maybe even enjoy. Add to that the levels of deception, subtle characterization, and satirical realpolitik to be discovered, and you have a play that satisfies as much as it draws you in.
E**M
Rome, according to Shakespeare
Back in the 2000's, I had a temporary fascination with Shakespeare. I read a total of eight plays, including "Titus Andronicus" & "Much Ado About Nothing." Then, all of a sudden, I stopped. Shakespeare no longer interested me, as I was moving on to contemporary and fantasy fiction. Now that we're at the start of a new decade, I'm beginning to return to the plays that I have read. "Julius Caesar" was one of the more compelling Shakespeare plays that I have ever discovered. I had just finished reading it last night (it's the third time that I've read it), and I was still amazed by the richness of the text. The plot is something that almost everybody knows: Julius Caesar is assassinated by the Senate. The play, however, doesn't make this the highlight of the story (even though the famous "Et tu, Brute?" quote is here), but it's what happens before and after the actual death of Caesar that's relevant. Marcus Brutus, Caius Cassius, and many others have conspired against Caesar, who has a chance at becoming the leader of Rome. And when these men take him down, the mayhem begins. What I love about this play is not because of its historical accuracy, which I doubt that it is actually accurate, but because of the character studies of the men that have conspired against Caesar. Brutus, especially, is in a constant personal battle between justice, friendship, and loyalty. Of the play itself, Shakespeare is without a doubt a master of words. Allegory and metaphor play important parts in the text, and thanks to the explanatory notes, I can understand Shakespeare a bit more. In conclusion, I can fully acknowledge that "Julius Caesar" is one of my personal favorite Shakespeare plays. It deserves its recognition has one of his finest ever written.
T**H
A Must-Read Classic That Brings the Past to Life
I recently purchased the Folger Shakespeare Library edition of Julius Caesar and I am extremely impressed with the quality of this book. The text is clear and easy to read, with footnotes providing helpful explanations for any unfamiliar words or phrases. The introduction and accompanying materials are also incredibly informative and provide great context for the play. I am a huge fan of Shakespeare's works and this edition of Julius Caesar does not disappoint. The characters are well-developed and the plot is engaging from start to finish. I found myself completely invested in the story and its outcome. Overall, I highly recommend this edition of Julius Caesar to any fans of Shakespeare or those looking to expand their knowledge of his works. It is a beautifully crafted book and a great addition to any library.
T**"
Book, words, a story.
She read it, and et tu it worked, Brute.
J**Y
Referring to the form, no doubt, the size of the book stands a little more compact, yet it's accordant with its price. But when I come in lieu of its contents, I really have been overwhelmed with that. I first time enjoyed studying it to the core with utmost ease. One can meet the best things related to Shakespearean plays if they are seeking a comprehensive and comprehensible comprehension of the real text with clarity and without obscurity avoiding much of the unnecessary padding which other editions include.
L**Z
Nello studio di Shakespeare la consultazione di diverse edizioni è fondamentale, per poter approfondire aspetti critici specifici e questo testo è uno de fondamentali per arrivare a una conoscenza adeguata dell'opera.
H**B
This is my favouite single-volume modern edition of Shakespeare. Great to hold and read from with notes on the left page and the play on the right.
T**O
A Folger deve ser a pior edição que já encontrei das peças de Shakespeare. Encadernação ruim, tinta de baixa qualidade, notas com poucas informações sobre as peças, papel ruim (10 reais seria um bom preço para o produto, não 20-50). Melhor tentar as edições já famosas: Norton, Arden, Oxford (na versão individual, comentada), Riverside etc.
M**L
good.
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