---
product_id: 18659566
title: "Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune, Black, small (PV10AT)"
brand: "peavey"
price: "₱88703"
currency: PHP
in_stock: true
reviews_count: 11
url: https://www.desertcart.ph/products/18659566-peavey-pv-10-at-10-channel-compact-mixer-with-bluetooth
store_origin: PH
region: Philippines
---

# Bluetooth wireless connectivity 4 low-noise XLR/¼" mic preamps 10 channels with precision 60mm faders Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune, Black, small (PV10AT)

**Brand:** peavey
**Price:** ₱88703
**Availability:** ✅ In Stock

## Summary

> 🎛️ Elevate your sound game — mix like a pro, anywhere, anytime.

## Quick Answers

- **What is this?** Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune, Black, small (PV10AT) by peavey
- **How much does it cost?** ₱88703 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ph](https://www.desertcart.ph/products/18659566-peavey-pv-10-at-10-channel-compact-mixer-with-bluetooth)

## Best For

- peavey enthusiasts

## Why This Product

- Trusted peavey brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Pro-Level Control:** 4 channels with compression, 3-band EQ, and exclusive MidMorph & Kosmos audio enhancements.
- • **Studio-Grade Clarity:** Ultra-low 0.0007% THD mic preamps deliver pristine sound for live and recording.
- • **Versatile Connectivity:** 4 direct outs, balanced XLR main outputs, and Hi-Z guitar input for any rig.
- • **Built to Perform & Last:** Rugged metal chassis with intuitive LCD display and tablet cradle for on-the-go pros.
- • **Seamless Wireless Integration:** Bluetooth streaming and USB MP3 playback keep your setup modern and flexible.

## Overview

The Peavey PV 10 AT is a compact 10-channel mixer designed for professionals who demand studio-quality sound with modern connectivity. Featuring four ultra-low noise XLR/¼" combo mic preamps, Bluetooth streaming, USB MP3 playback, and Peavey's exclusive Kosmos and MidMorph audio enhancements, it offers versatile control with compression, EQ bypass, and direct outputs. Its rugged metal chassis, precision faders, and tablet cradle make it perfect for live performances, DJ sets, and recording sessions, delivering clean, powerful audio with seamless integration into any setup.

## Description

Introducing the next level in world-class non-powered mixer performance. The all new PV series mixing consoles include Peavey's reference-quality mic preamps that spec in at an incredible 0.0007% THD, making the PV series mixers excellent for live or recording applications. The PV 10 BT includes 4 channels of reference quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48-volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. This amazingly versatile mixer is at home both in the studio as well as live applications. Modern features such as Bluetooth allow seamless connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording. In addition, the PV 10 BT can stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to select and play back music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs, and the EQ bypass allows the user to hear and compare the EQ'd signal to the original signal with the push of a button. 2 channels of compression keep signals with difficult levels under control, and Peavey's exclusive guitar shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise-free signal to your powered speakers or power amplifier.

Review: Excellent Sound and Clarity if Used Correctly - PV AT 10 BT This mixer is really quite excellent, I’ve been using it for well over a year now. At first I didn’t really feel like it was a worthy successor to my previous live sound and Dj audio mixer from Alesis. The reason why this happened has a lot to do with proper gain staging which has to be done with every new piece of audio equipment you introduce into your sound chain. Once I set up the sound from every stage in the right order, and reduced the audio gain on the first two sound channels that have auto tune, which are the two inputs that have my wireless microphones, it shined beautifully. The microphone inputs on the Peavey have more natural audio gain than my previous Alesia USB Multi-Mix Mixer, which had beautifully warm sound. With the microphone gain set lower on the Peavey, the main channel output volume can be raised instead of the gain. This is very beneficial because it works well with my DBX Go Rack’s feedback protection. Feedback is easier to avoid when less gain is in the sound chain. XLR cables are highly recommend, since they provide audio shielding. The first of the 3 pins on the cable is a grounding pin. When using XLR cables, your sound output will also be louder and cleaner than regular analog cables, especially if everything is setup properly during the gain staging phase. My dual wireless microphone receivers have 1/4th inputs. They also came with a 1/4th male to 1/4th male audio cable. The mics required more gain on the Peavey Mixer. A 1.5 foot XLR male to 1/4th male audio cable resolved the lower sound output issue. Despite the 1/4th audio plugs in the mic receivers, my Peavey AT 10 mixer was sending a louder XLR signal to my mics. My maim complaint is that the effects, outside of the excellent and fully featured Auto-Tune, aren’t all that great. The channel strips have an effects and equalizer bypass on them, which is good. This is important because adjusting the highs, the mids and the lows introduces a few little issues that have a potentially negative impact on the sound. I leave them at default, and then go to the final output strip, and adjust them there. My DBX GoRack is then used for final sound staging and processing. This combination puts out loud, full and powerful sound for me that my singers on DJ and karaoke nights love. My GoRack has an acoustic audio equalizer preset which sends out excellent microphone levels when my mix is properly set up on the Peavey 10 AT. Then I use the club mode on my EV ZLX speakers in sub mode with the crossover set to ELX 118p, combined with my ELX 200 18 inch subwoofer. The bass is further lowered on my ZLX 12ps or 15ps with the treble set to -1 one and the final output set to -1. With my subwoofer handling the bass, my speakers output louder, cleaner highs and Mids. My sub is placed on a slight raised wooden platform in certain venues and completely hidden by a Dj facade. The raised platform is only used in venues where the floor can lead to swallowing up the low end. There’s a venue I dj at which had this issue. My sub was clipping early and didn’t sound prominent at all until I raised it slightly off of the ground. The important thing to understand about any sound setup is, there is actually a correct way to stage the sound in order, which can alleviate issues. The more effects you introduce into your chain, the more likely you’ll have minor sound issues because each effect has the ability to boost or lower other sound frequencies. Too much sound compression for instance can result in feebavk loops. I use feedback suppression on my DBX GoRack, but even that can be instantly defeated by adding too much gain on the Peavey Mixer’s microphone output channels. The microphones wireless base sound has to be balanced first, which thankfully has a reverb setting on it, then the line it goes into on the Peavey mixer has to be adjusted next, then the Peavey effects channel, which in this case is usually very very light additional reverb, or rare auto-tune if a singer asks for it. Lastly the final sound output line, which feeds my DBX GoRack. The GoRack is set to output in Balanced XLR stereo. Each of these cable runs are about 1.5 feet since I’ve wired this setup inside of a flight case to avoid unplugging anything. My Peavey Mixer is connected to a Numark DJ Deck, that’s connected to my Windows PC or MacBook Pro laptop. My final cables are roughly 4 feet to my subwoofer, which then sends the last set of XLR cables to my speakers. This sound chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18 subwoofer to have equal to, or in some cases better than my previous setup which included 2 QSC K12s and the QSC KW 18 subwoofer. Granted that setup, even before proper gain structure, naturally took less sound knowledge to get more headroom out of, but people compliment my sound a great deal in both regards, and are hard pressed to tell the difference, though I notice the final output on my current setup is slightly lower. With the proper gain structure, it sounds fantastic and still provides punchy bass. Every once in awhile, if I want to push my Bass output further, I use the sub harmonic synthesizer on my GoRack sparingly to send bass a few octaves lower than the current signal has, and then I can raise it on my subwoofer slightly more to get more fully distortion free Bass volume without harming my sub. Too much can potentially damage it, it goes up to 99 on the GoRack, but I never usually set it to more than 15 or 20. The same thing with compression, which can keep my singers in the pocket, in terms of final sound mix. I never have that set up higher than 25 if I do use it. With my Peavey Mixer, since my music levels are first set on my Numark Mixtrack Platinum, then my final output channel strip on on the Peavey 10 AT, it usually sounds full and clean. My singers are adjusted accordingly with the gain always set relatively low, and the final microphone levels set to the 12 o clock position, or slightly above that.
Review: Metal chassis with Bluetooth and the Amazing sound of Kosmos - Metal case - built to last and nothing sounds better than the little kosmos button. I wouldn't use any other mixer. Bluetooth is long range perfect solution for live sound , DJ, pocasting, small bar band ...great little mixer

## Features

- 4 combination XLR/1/4" low noise mic preamps; Rugged console design EQ bypass per channel; 2 channels of built-in compression; Individual channel mutes LED clip and signal present indication;
- On-board USB-A MP3 playback; 4 channels of Peavey's exclusive MidMorph; 4 Channels of direct out; 3-band EQ on all channels; KOSMOS bass and treble enhancement; Channel 9/10 stereo return/input
- Dual selectable control room outputs; Individual Listen/Solo function; Precision 60 mm faders on master; stereo USB-B streaming audio in and out; One pre-fader AUX send; High quality master LED meter bridge
- On-board studio quality digital effects with individual channel control Effects and playback; LCD display; Master mic mute; Stereo pan control per channel; Studio quality headphone output; Stereo 1/4", RCA or 3.5mm input channel; Peavey's exclusive on-board Hi Z guitar input
- Main stereo outputs with 1/4" unbalanced and balanced XLR connectors; New slim, low-profile design; Global 48V phantom power; Convenient tablet cradle; Bluetooth wireless connectivity

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B011VHMM42 |
| Audio Input | XLR |
| Best Sellers Rank | #83,031 in Musical Instruments ( See Top 100 in Musical Instruments ) #456 in DJ Mixers |
| Brand | Peavey |
| Brand Name | Peavey |
| Connectivity Technology | Bluetooth |
| Customer Reviews | 4.4 out of 5 stars 67 Reviews |
| Global Trade Identification Number | 00014367646269 |
| Item Type Name | A-B Box |
| Item Weight | 9.5 pounds |
| Manufacturer | Peavey |
| Manufacturer Part Number | 03612610 |
| Model Number | PV10AT |
| Number of Channels | 4 |
| Output Connector Type | USB Type B, XLR |
| Output Connector type | USB Type B, XLR |
| Power Source | Corded Electric |
| UPC | 014367646269 |
| Unit Count | 1 Count |
| Warranty Description | 90 days. |

## Product Details

- **Brand:** Peavey
- **Connectivity Technology:** Bluetooth
- **Item Weight:** 9.46 Pounds
- **Number of Channels:** 4
- **Power Source:** Corded Electric

## Images

![Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune, Black, small (PV10AT) - Image 1](https://m.media-amazon.com/images/I/81UxDBrXhfL.jpg)

## Questions & Answers

**Q: can anyone recommend a bag for this mixer?**
A: https://www.amazon.com/Gator-Cases-G-MIXERBAG-1515-Inches-Mixer/dp/B00T0OJG9S/ref=sr_1_1?ie=UTF8&qid=1523117810&sr=8-1&keywords=G-MIXERBAG-1515

Thanks for your interest. Y2PLAY Stores 1-800-695-4808

**Q: Does this mixer come with a power supply cord?**
A: Yes it does.

**Q: What is the return policy on this product ?**
A: 30 days

**Q: Does this act as an soundcard audio interface for the computer ?**
A: Yes. You can use it with your computer for recording and monitoring via USB.  I use it for both recording and occasionally as a live mixer.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Excellent Sound and Clarity if Used Correctly
*by A***L on April 15, 2018*

PV AT 10 BT This mixer is really quite excellent, I’ve been using it for well over a year now. At first I didn’t really feel like it was a worthy successor to my previous live sound and Dj audio mixer from Alesis. The reason why this happened has a lot to do with proper gain staging which has to be done with every new piece of audio equipment you introduce into your sound chain. Once I set up the sound from every stage in the right order, and reduced the audio gain on the first two sound channels that have auto tune, which are the two inputs that have my wireless microphones, it shined beautifully. The microphone inputs on the Peavey have more natural audio gain than my previous Alesia USB Multi-Mix Mixer, which had beautifully warm sound. With the microphone gain set lower on the Peavey, the main channel output volume can be raised instead of the gain. This is very beneficial because it works well with my DBX Go Rack’s feedback protection. Feedback is easier to avoid when less gain is in the sound chain. XLR cables are highly recommend, since they provide audio shielding. The first of the 3 pins on the cable is a grounding pin. When using XLR cables, your sound output will also be louder and cleaner than regular analog cables, especially if everything is setup properly during the gain staging phase. My dual wireless microphone receivers have 1/4th inputs. They also came with a 1/4th male to 1/4th male audio cable. The mics required more gain on the Peavey Mixer. A 1.5 foot XLR male to 1/4th male audio cable resolved the lower sound output issue. Despite the 1/4th audio plugs in the mic receivers, my Peavey AT 10 mixer was sending a louder XLR signal to my mics. My maim complaint is that the effects, outside of the excellent and fully featured Auto-Tune, aren’t all that great. The channel strips have an effects and equalizer bypass on them, which is good. This is important because adjusting the highs, the mids and the lows introduces a few little issues that have a potentially negative impact on the sound. I leave them at default, and then go to the final output strip, and adjust them there. My DBX GoRack is then used for final sound staging and processing. This combination puts out loud, full and powerful sound for me that my singers on DJ and karaoke nights love. My GoRack has an acoustic audio equalizer preset which sends out excellent microphone levels when my mix is properly set up on the Peavey 10 AT. Then I use the club mode on my EV ZLX speakers in sub mode with the crossover set to ELX 118p, combined with my ELX 200 18 inch subwoofer. The bass is further lowered on my ZLX 12ps or 15ps with the treble set to -1 one and the final output set to -1. With my subwoofer handling the bass, my speakers output louder, cleaner highs and Mids. My sub is placed on a slight raised wooden platform in certain venues and completely hidden by a Dj facade. The raised platform is only used in venues where the floor can lead to swallowing up the low end. There’s a venue I dj at which had this issue. My sub was clipping early and didn’t sound prominent at all until I raised it slightly off of the ground. The important thing to understand about any sound setup is, there is actually a correct way to stage the sound in order, which can alleviate issues. The more effects you introduce into your chain, the more likely you’ll have minor sound issues because each effect has the ability to boost or lower other sound frequencies. Too much sound compression for instance can result in feebavk loops. I use feedback suppression on my DBX GoRack, but even that can be instantly defeated by adding too much gain on the Peavey Mixer’s microphone output channels. The microphones wireless base sound has to be balanced first, which thankfully has a reverb setting on it, then the line it goes into on the Peavey mixer has to be adjusted next, then the Peavey effects channel, which in this case is usually very very light additional reverb, or rare auto-tune if a singer asks for it. Lastly the final sound output line, which feeds my DBX GoRack. The GoRack is set to output in Balanced XLR stereo. Each of these cable runs are about 1.5 feet since I’ve wired this setup inside of a flight case to avoid unplugging anything. My Peavey Mixer is connected to a Numark DJ Deck, that’s connected to my Windows PC or MacBook Pro laptop. My final cables are roughly 4 feet to my subwoofer, which then sends the last set of XLR cables to my speakers. This sound chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18 subwoofer to have equal to, or in some cases better than my previous setup which included 2 QSC K12s and the QSC KW 18 subwoofer. Granted that setup, even before proper gain structure, naturally took less sound knowledge to get more headroom out of, but people compliment my sound a great deal in both regards, and are hard pressed to tell the difference, though I notice the final output on my current setup is slightly lower. With the proper gain structure, it sounds fantastic and still provides punchy bass. Every once in awhile, if I want to push my Bass output further, I use the sub harmonic synthesizer on my GoRack sparingly to send bass a few octaves lower than the current signal has, and then I can raise it on my subwoofer slightly more to get more fully distortion free Bass volume without harming my sub. Too much can potentially damage it, it goes up to 99 on the GoRack, but I never usually set it to more than 15 or 20. The same thing with compression, which can keep my singers in the pocket, in terms of final sound mix. I never have that set up higher than 25 if I do use it. With my Peavey Mixer, since my music levels are first set on my Numark Mixtrack Platinum, then my final output channel strip on on the Peavey 10 AT, it usually sounds full and clean. My singers are adjusted accordingly with the gain always set relatively low, and the final microphone levels set to the 12 o clock position, or slightly above that.

### ⭐⭐⭐⭐⭐ Metal chassis with Bluetooth and the Amazing sound of Kosmos
*by F***E on June 17, 2025*

Metal case - built to last and nothing sounds better than the little kosmos button. I wouldn't use any other mixer. Bluetooth is long range perfect solution for live sound , DJ, pocasting, small bar band ...great little mixer

### ⭐⭐⭐⭐⭐ The mixer I would have designed for myself
*by D***W on October 7, 2015*

I like it very much. I have used it for live and recording, it has been very clean for both uses. This is a great unit for a "one man" studio and/or a small live act. I fit both of those descriptions, so this mixer will get a lot of use. I hope it proves reliable, but I can only wait and see. This mixer replaced my Yamaha MG82cx. I have owned 8 Yamaha mixers ( I still have 3 of them) but this Peavey has really impressed me in the short time I've had it. I like the effects more than the Yamaha effects, I never thought the Yamaha effects lived up to the hype, but I digress... I can't think of anything I would change except maybe the display is a little bit small, and in place of direct outs on the channels I may have preferred inserts. However, those are very minor considerations and some users will want the direct outs more than inserts. And one nice touch is the faders on the mains. It is so nice to have smooth faders when you bring the signal up and down. There is a lot of usable function on this device. I hope it lasts. I purchased this item from the seller "geartree" and they were wonderful to deal with. They are friendly and helpful.

## Frequently Bought Together

- Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune
- Cable Matters 2-Pack Premium Short XLR to XLR Cables - 3ft, Male to Female Microphone Cable, Oxygen-Free Copper (OFC) Mic Cord, Black
- GearIT XLR to XLR Microphone Cable (1 Feet, 2 Pack) XLR Male to Female Mic Cable 3-Pin Balanced Shielded XLR Cable for Mic Mixer, Recording Studio, Podcast - Black, 1Ft, 2 Pack

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*Product available on Desertcart Philippines*
*Store origin: PH*
*Last updated: 2026-11-07*