---
product_id: 254847616
title: "The Passion According to G.H."
price: "₱3780"
currency: PHP
in_stock: true
reviews_count: 5
url: https://www.desertcart.ph/products/254847616-the-passion-according-to-g-h
store_origin: PH
region: Philippines
---

# 1964 mystical novel classic top-tier literary fiction bestseller timeless spiritual & philosophical depth The Passion According to G.H.

**Price:** ₱3780
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## Summary

> 📖 Unlock the spiritual enigma that’s captivating millennial minds worldwide!

## Quick Answers

- **What is this?** The Passion According to G.H.
- **How much does it cost?** ₱3780 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ph](https://www.desertcart.ph/products/254847616-the-passion-according-to-g-h)

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## Key Features

- • **Top-Ranked Literary Fiction:** Join thousands of readers who rated it 4.5 stars and propelled it to bestseller status.
- • **Philosophy Meets Storytelling:** Explore profound meditations on God, beauty, identity, and humanism that resonate with millennial introspection.
- • **Unforgettable Narrative Style:** Experience a unique, immersive voice that challenges and transforms your perspective.
- • **A Cult Classic of Existential Depth:** Dive into Lispector’s 1964 masterpiece that reshaped Brazilian literature.
- • **A Must-Read for the Thoughtful Millennial:** Perfect for those craving a blend of mysticism, politics, and psychoanalysis in a digestible yet mind-bending read.

## Overview

The Passion According to G.H. is Clarice Lispector’s 1964 novel that blends mystical narrative with deep philosophical inquiry. Centered on a Rio sculptress’s transformative encounter with a dying cockroach, the book explores themes of spirituality, identity, and existential crisis. Celebrated for its unique narrative voice and profound meditations on beauty, humanism, and politics, it remains a top-ranked literary fiction bestseller with a strong millennial following.

## Description

The Passion According to G.H. , Clarice Lispector's mystical novel of 1964, concerns a well-to-do Rio sculptress, G.H., who enters her maid's room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door --crushing the cockroach --and then watches it die. At the end of the novel, at the height of a spiritual crisis, comes the most famous and most genuinely shocking scene in Brazilian literature... Lispector wrote that of all her works this novel was the one that "best corresponded to her demands as a writer."

Review: New Favorite Book - This book was life-changing for me, I couldn't recommend it more! Much of the book reminded me of Kafka's The Metamorphosis, but if the story was completely inverted. I'm not a theist but the meditation on God was brilliant and genuinely shifted my perspective on theism as a whole. The discussion of beauty was also riveting, especially since I am a bit obsessed with beauty and disgusted by bugs myself, so this book really changed how consider beauty in my life and how/why/why maybe I shouldn't be so disgusted by bugs. I thought the ambiguous position of the reader was also really unique and brilliant--the narrator addresses the reader as several different people throughout the novel. The later chapters reminded me of Dante's Inferno, but it (like what I said with Kafka) totally turns it on its head. I recently took a class in Eastern Religions and made a lot of connections so if you are interested in that this is a great read. The use of space and time in the novel is also worth noting--kinda reminded me of some Virginia Woolf so if you like her books you will totally love this! Speaking of Woolf, she one time said reading Dostoevsky was like being in a whirlwind, and I think that applies perfectly to this book, as Lispector does an amazing job at repeating and transforming and connecting various different phrases/ideas that develop as the book goes on and it gives an effect I can't quite put into words but it just really amazed me. If you care about French Existentialism this is another must-read, as it seems to (as with other works) twist Sartre's No Exit and Being and Nothingness on its head a bit. Now that I'm on the philosophy train, really thought-provoking meditations on humanism and psychoanalysis are another reason why I loved this book so much. Politics (specifically nationalism, racism, classism, and gender) / othering are also explored in this book which I found fruitful and honestly, now that I'm writing this I don't think there is a base the reader didn't hit in my idea of a great book. I even think there's space to connect it with Plato's allegory of the cave (the wall mural), and his theory of aesthetics. Lastly, I really loved the way the book explores identity and how illusory individuality/inside is. With all that being said, the reading was surprisingly digestible and just does an outstanding job portraying complex ideas in a shocking clear/understandable manner. Read it!
Review: Prophet of millennial can't-even-ism - Is Clarice Lispector the prophet of the millennial “can’t even” generation? And could that be the reason she’s so overpraised by a certain cohort of young female critics? I wonder this because a lot of Lispector’s work follows the same general pattern: a woman goes to perform a seemingly mundane task, but in the course of doing it, for reasons that are never quite clear, she becomes overwhelmed, a sort of mental paralysis sets in, and she can’t go through with whatever she was supposed to do. So millennial! In this novel G.H. has decided to spend the day cleaning her apartment -- a manageable task, one would think -- but no! Preparing to clean the maid's room, she closes the door of a wardrobe on a cockroach, not quite killing it. Then (as one does?) she spends the rest of the novel staring at the dying cockroach as the wardrobe door squeezes its whitish insides out and she has, I suppose, some sort of spiritual crisis/mystical experience. I couldn't quite piece it together, but the general tenor seemed to be: we are all just composed of physical matter, inevitably subject to decay and death, and there is no larger meaning to existence. In terms of the writing, maybe this was a translation issue but I repeatedly had the disorienting sensation of understanding all the words in a sentence but still having no clue what the sentence meant. Representative (I swear!) example: “Contact with supersound of the atonal has an inexpressive joy that only flesh, in love, tolerates.” If you read that and think, “Genius—I want 190 pages of that!” then this book is for you. If not, I’d recommend reading something else. It is possible, though, that this book is a profound masterpiece, and I just didn't get it. I did finish it, which suggests there's something there.

## Features

- Item Trademark: NEW DIRECTIONS PUBLISHING CORPORATION
- manufacturer: New Directions Publishing Corporation
- Item Weight: pounds, pounds, 0.5, 0.5

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #34,227 in Books ( See Top 100 in Books ) #2,959 in Literary Fiction #4,790 in Genre Fiction |
| Customer Reviews | 4.5 out of 5 stars 270 Reviews |

## Images

![The Passion According to G.H. - Image 1](https://m.media-amazon.com/images/I/716ykutZxxL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ New Favorite Book
*by S***A on 29 July 2023*

This book was life-changing for me, I couldn't recommend it more! Much of the book reminded me of Kafka's The Metamorphosis, but if the story was completely inverted. I'm not a theist but the meditation on God was brilliant and genuinely shifted my perspective on theism as a whole. The discussion of beauty was also riveting, especially since I am a bit obsessed with beauty and disgusted by bugs myself, so this book really changed how consider beauty in my life and how/why/why maybe I shouldn't be so disgusted by bugs. I thought the ambiguous position of the reader was also really unique and brilliant--the narrator addresses the reader as several different people throughout the novel. The later chapters reminded me of Dante's Inferno, but it (like what I said with Kafka) totally turns it on its head. I recently took a class in Eastern Religions and made a lot of connections so if you are interested in that this is a great read. The use of space and time in the novel is also worth noting--kinda reminded me of some Virginia Woolf so if you like her books you will totally love this! Speaking of Woolf, she one time said reading Dostoevsky was like being in a whirlwind, and I think that applies perfectly to this book, as Lispector does an amazing job at repeating and transforming and connecting various different phrases/ideas that develop as the book goes on and it gives an effect I can't quite put into words but it just really amazed me. If you care about French Existentialism this is another must-read, as it seems to (as with other works) twist Sartre's No Exit and Being and Nothingness on its head a bit. Now that I'm on the philosophy train, really thought-provoking meditations on humanism and psychoanalysis are another reason why I loved this book so much. Politics (specifically nationalism, racism, classism, and gender) / othering are also explored in this book which I found fruitful and honestly, now that I'm writing this I don't think there is a base the reader didn't hit in my idea of a great book. I even think there's space to connect it with Plato's allegory of the cave (the wall mural), and his theory of aesthetics. Lastly, I really loved the way the book explores identity and how illusory individuality/inside is. With all that being said, the reading was surprisingly digestible and just does an outstanding job portraying complex ideas in a shocking clear/understandable manner. Read it!

### ⭐⭐⭐ Prophet of millennial can't-even-ism
*by B***K on 26 June 2025*

Is Clarice Lispector the prophet of the millennial “can’t even” generation? And could that be the reason she’s so overpraised by a certain cohort of young female critics? I wonder this because a lot of Lispector’s work follows the same general pattern: a woman goes to perform a seemingly mundane task, but in the course of doing it, for reasons that are never quite clear, she becomes overwhelmed, a sort of mental paralysis sets in, and she can’t go through with whatever she was supposed to do. So millennial! In this novel G.H. has decided to spend the day cleaning her apartment -- a manageable task, one would think -- but no! Preparing to clean the maid's room, she closes the door of a wardrobe on a cockroach, not quite killing it. Then (as one does?) she spends the rest of the novel staring at the dying cockroach as the wardrobe door squeezes its whitish insides out and she has, I suppose, some sort of spiritual crisis/mystical experience. I couldn't quite piece it together, but the general tenor seemed to be: we are all just composed of physical matter, inevitably subject to decay and death, and there is no larger meaning to existence. In terms of the writing, maybe this was a translation issue but I repeatedly had the disorienting sensation of understanding all the words in a sentence but still having no clue what the sentence meant. Representative (I swear!) example: “Contact with supersound of the atonal has an inexpressive joy that only flesh, in love, tolerates.” If you read that and think, “Genius—I want 190 pages of that!” then this book is for you. If not, I’d recommend reading something else. It is possible, though, that this book is a profound masterpiece, and I just didn't get it. I did finish it, which suggests there's something there.

### ⭐⭐⭐⭐⭐ Challenging but Infinitely Absorbing
*by M***E on 17 March 2021*

I'm in something of a Lispector reading phase right now - read 'The Hour of the Star' decades ago, and although it made a lasting impression on me, I wasn't sure why, and with hindsight I somehow don't feel I was wholly 'ready' for now. Recently, I've read Agua Viva as well as The Passion, have The Besieged City on my 'bought and to read' list and am working my way through the Complete Stories. The Passion barely has a conventional plot, it's about - if anything - a transformative experience whose specific circumstances I'm not sure I am able to fully buy into. But this doesn't really matter - I feel Lispector is very explicitly inviting us to step into our own experience in old or (new-very-old) ways and what happens in G.H's maid's bedroom is by any stretch a good enough vehicle for what is essentially intended as a universalist 'message' or lure. At this stage in my life, personally I feel ripe for her work, and unhesitatingly ready to accompany her, or to acknowledge an appeal repeatedly made by the narrator of 'The Passion' to reach out my hand to her. Any comment on the quality of the translation is limited by my lack of knowledge of Portuguese, alas, yet with that massive caveat in place, I can say that nothing jars, and all my intuition is the adverb 'lovingly' would not be inapt.

## Frequently Bought Together

- The Passion According to G.H. (New Directions Books)
- Água Viva (New Directions Books)
- Near to the Wild Heart (Ndp; 1225)

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*Last updated: 2026-06-16*