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D**I
A darkly entertaining and empowering tale about murder and vengeance!
3.5 starsThe title is what immediately drew me in but the synopsis is what really piqued my interest. I really enjoyed this concept and although there were some elements that, if done better, would've made me enjoy this story more, I still think the author did a great job with it. This was darkly entertaining and had some really great powerful and empowering moments.First of all, I want to point out that this is about an original character from Jane Eyre. I'm one of the few who still hasn't read it yet, so that didn't impact my reading in any way, although it made me curious about how people who read and loved the book would feel about this ending. I will say that if you want to read Jane Eyre, you might want to skip this book until then because the first part of it essentially summarises the events of that story and would definitely be considered spoilers!Cornwell set the atmosphere very well! There's a creeping sense of foreboding and darkness that steadily builds as the story progresses. From a young age, Adele has witnessed countless instances of the horrible ways women get treated by the people around them; particularly, by the men in their lives. She saw this in the way her mother and the other girls at Moulin were treated by their clientele, the way her father treated his first wife and herself, and then in the way the entitled society men treated all the women around them, especially her closest society friends. This story enraged me and I often found myself nodding in agreement because YES, there is so much about it, regardless of the time period, that is so relatable and it’s devastating that it’s so.The story is told through Adele’s first-person perspective as she recounts the events of her life until the present day and she speaks directly to her audience, the reader. I didn’t mind this perspective but I admit that I thought it’d move the story along at a faster pace and that there’d be a stronger sense of emotional attachment/understanding. Sadly, I felt there was often quite an emotional disconnect between Adele and her story and that made it fall a bit flat (IMHO) but it also made the escalation of events less impactful. That said, I did like Adele’s character. For most of her childhood, she was a silent observer of situations that most adults wouldn't want children noticing and because of that, she develops a strong sense of people. She's sharp, compassionate and kind but she's also desperately lonely and has a jealous streak that she struggles with occasionally, especially when it came to motherly attention/affection. I particularly loved the camaraderie between her and the girls at the boarding school. Hannah, Felicity and Charlotte were the girls she was closest to and I loved the strong emphasis on supportive friendships and girls-supporting-girls. Pitting girls/women against each other is one of my least favourite tropes(?), so I was chuffed that all the relationships were very positive. It would’ve been even better if the secondary characters were given more page time instead of simply serving as props to push Adele’s story along because she was doing all of this for them to begin with.Another thing I found slightly underwhelming was the ending. While everything was ultimately neatly wrapped up, it felt very rushed compared to the rest of the book! I wish Cornwell spent more time expanding on Adele’s feelings about what happened rather than jumping straight into that “happy ending”. After all that she experiences though, Adele definitely deserved what she got! Overall, although I didn’t enjoy this as much as I had hoped to, I still thought the concept was excellent and I think the author did a good job of highlighting social issues through this story about murder and vengeance.
F**L
No, no, no
I was drawn to this due to it following Adele from Jane eyre. Sadly I don't think this is a great compliment to Charlotte bronte's book.Jane eyre comes across as sad and lacked the inner strength we see in the original. Adele came across as as if she was acting a part and then suddenly she wanted to save all women from the evils of men. Apparently there aren't any good men out there at all, including her pen pal Eric.I had to stop 20 pages before the end. This is the impression I got and could be considered a spoiler but the author made Rochester into some horrible monster that had actually been grooming Adele all this time with his letter writing pretending to be Eric and while on his sickbed suggesting he and Adele should run away together and act as husband and wife. I don't think the Rochester of Charlotte bronte would do this.
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