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A**R
A must-read book for every motion designer, motivational and informative.
This book was a real point to start freelancing from. Joey is really experienced and gives you real-work knowledge. The book is not only informative about the freelance life of motion design but also motivates you well to start seeking your freelance career and tells you how to plan for that. Giving clear information about rates average is really helpful and this is something many people refuse to declare.A little point to talk about, the book is more focused on motion design life in the United States, there are many other countries where motion designers are struggling to find their way into freelance, with much lower rates. Joey didn't talk much about how can those do with their skill set in order to make the community more inclusive.Thanks, Joey and School of Motion for this awesome book, A must-read book for every motion designer!
P**R
If are considering freelance (or not), you really should read this.
I am not freelancing yet, but may soon :). This book does a great job of taking the fear out of the thought of freelancing AND shows one how to do it with a better chance of success. Joeys writing style is free-flowing and it feels like you are listening to a friend explain things to you. I was engaged the whole time. I had freelanced in graphic design a long time ago and wish I would have had a lot of this advice.I did notice how expensive it can get with all the little subscription cloud apps, that is recommended or talked about. It adds up. BUT, if you land jobs, the cost is not really that much of an issue and you write it off anyway. Also, I was glad to see him mention multiple times that you must have a good portfolio of work as well. Doesn't have to be award winning, but at least good.But Kudos to Joey for a valuable book to those seeking to freelance!
E**N
Great Book
I am more than halfway done with this book and it’s been pretty enjoyable. The writer is fun and it’s easy to read, and all the information seems really practical. I haven’t implemented any of it yet, but I’m looking forward to trying soon.
B**E
My go to book.
This book is great at building your mindset of what freelancing is for, as well as offering a timeless playbook for motion designers in the field. Keep in mind this focuses on the business side of animation, this book doesn't explain what keyframes or story boards are.The tips are useful, to the point, and don't feel manipulative or dirty. Any animators looking for a boost in business confidence or a helping guide on their mograph journey needs to read this!
S**A
This book has been a great boon to me
This book has been a great boon to me. Previously I'd tried freelancing but had not treated it as a skill in my toolset. The result was less than satisfactory and things were unnecessarily difficult and confusing. Now, with the help of this book, my outlook changed from dreading managing clients to feeling empowered to build a new facet of my career. Since freelancing is vastly independent, I'm not quite sure where else I would have learned these business practices. I recommend this book to freelancers new to the trade and seasoned. Old freelancers will learn new techniques such as cold-emails. New freelancers switching from fulltime to freelance will benefit from the outlook altering ideas here-in. Soon you will be asking, "How did I ever agree to trade most of my time for the illusion of stability?"
L**.
Field Guide is the Most Appropriate Name
“Field Guide” is very appropriate. It is not the answer to all freelancing questions. Another reviewer put it should be called the Freelance Bible. Not quite. The book is geared towards guiding readers at certain points of their freelancing career. “I’m in this situation or point of my freelance career, let me check the field guide to see what to do.” Similar to a Boy/Girl Scout handbook—here are a bunch of knots to tie. They each have their definite purpose, but you can use different ones interchangeable based on your preference. Learn them all, but adapt as needed and to your preference.This isn’t going to teach you how to set up an LLC/S-Corp. The book doesn’t teach you how to write and read contracts. It gives you resources and teaches you how to approach those situations, but you’ll have to put in the extra time with those resources. They’re not going to magically appear from the book.I owe most of my freelance career to Joey. I use him as a resource all the time. I can say I am where I am at because of his lessons before buying this book. I am a bit biased in that sense. “So, then if you are so grateful to Joey, why just four stars?” Joey is always honest and straight with me and vice versa—This is a 4-Star book. It isn’t 100% perfect and doesn’t answer everything. I even found myself disagreeing with certain specifics, despite Joey being so influential on my career. That isn’t a bad thing. Everyone should have that reaction from any book of this caliber. All that said, this book is what every freelancer should use to start their careers. Not just motion designers. Any one.Don’t expect a Biblical experience, though. Expect to be amazed and swept away into wanting to freelance or be a better freelancer. Expect to need to put in the work to be successful at it, too.
L**N
Easy to read
Great read, easy to understand and implement the strategies into use. Did not disappoint. I recommend for anyone starting off in freelance or need a refresher even if you have been doing it for a while.
S**Z
This book has heart and soul. How many guides ...
This book has heart and soul. How many guides can you say that about? Joey Korenman and team has this ability to get right to the meat of what you need to be a freelancer. He also cares about your success. That's why this book is so important. It hits on all levels, whether starting out, or experienced, just needing some tips. It's laid out well so you can find what you need quickly. Even if you're on a staff job, and you're entertaining the idea of going freelance, you can't pass on this book. It really should be called the Freelance Bible. Buy it.
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