Product Description
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All four films from the hugely popular 'Indiana Jones' series.
In 'Raiders of the Lost Ark' (1981), the year is 1936, and Indy
(Harrison Ford) has been charged with retrieving the Ark of the
Covenant, which US intelligence believes contains the original
Ten Commandments. The agents of Hitler are also on the trail,
however, and it is up to Indy and old flame Marion Ravenwood
(Karen Allen) to get to the Ark first. In 'Indiana Jones and the
Temple of Doom' (1984), it is 1935, and Indy (Ford) is forced to
escape from some villains in a Shanghai nightclub with singer
Willie Scott (Kate Capshaw) and 12-year-old Short Round (Ke Huy
Quan). They end up in an Indian village, where the adventuring
archaeologist is asked by the locals to retrieve a sacred stone
from a Khali cult. In 'Indiana Jones and the Last Crusade'
(1989), Indy (Ford) comes up against the Nazis once again after
they kip his her, fellow archaeologist Dr Henry Jones (Sean
Connery). her and son are soon putting family tensions to one
side in a search for the Holy Grail, which the Nazis also want in
order to achieve eternal life. Finally, 'Indiana Jones and the
Kingdom of the Crystal Skull' (2008) is set at the height of Cold
War paranoia during the 1950s and finds the intrepid
archaeologist involved in a plot involving Soviet agents. They
want Indy (Ford) to find a legendary crystal skull that is said
to grant the owner supernatural powers. If the Soviets get their
hands on the skull, they will be able to control the world. Indy
manages to escape from the Russians and soon he is in a race to
find the skull. He is joined by young rebel, Mutt (Shia LaBeouf),
the son of Indy's one-time love, Marion (Allen). Together, the
pair travel to South America, where the skull is reputed to be
found. There they join forces with Marion. At the same time, the
Soviet agents, led by the brilliant, ice-cold Irina Spalko (Cate
Blanchett), are also hot on the trail. They have the help of Mac
(Ray Winstone), Indy's one time partner: Indie doesn't know which
side Mac is really on. Also involved is Ox (John Hurt), a
brilliant professor who was driven insane after being exposed to
the crystal skull. Can Indie get to the skull first, or will the
Soviets be able to dominate the world?
.co.uk Review
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Indiana Jones and the Raiders of the Lost Ark
Its said that the original is the greatest, and there can be no
more vivid proof than Raiders of the Lost Ark, the first and
indisputably best of the initial three Indiana Jones adventures
cooked up by the dream team of Steven Spielberg and George Lucas.
Expectations were high for this 1981 collaboration between the
two men, who essentially invented the box office blockbuster with
70s efforts like Jaws and Star Wars, and Spielberg (who
directed) and Lucas (who co-wrote the story and executive
produced) didnt disappoint. This wildly entertaining film has it
all: non-stop action, exotic locations, grand spectacle, a hero
for the ages, despicable villains, a beautiful love interest,
humour, horror
not to mention lots of snakes. And along with all
the bits that are so familiar by now--Indy (Harrison Ford (
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)) running from the giant boulder in a cave, using his pistol
instead of his trusty whip to take out a scimitar-wielding bad
guy, facing off with a hissing cobra, and on and on--theres real
resonance in a potent storyline that brings together a profound
religious-archaeological icon (the Ark of the Covenant, nothing
less than "a radio for speaking to God") and the 20th centurys
most infamous criminals (the Nazis). Now thats entertainment.
--Sam Graham
Indiana Jones and the Temple of Doom
Its hard to imagine that a film with worldwide box office
receipts topping US$300 million worldwide could be labeled a
disappointment, but some moviegoers considered Indiana Jones and
the Temple of Doom, the second installment in Steven Spielberg
and George Lucas 1980s adventure trilogy, to be just that. That
doesnt mean its a bad effort; any collaboration between these
two cinema giants (Spielberg directed, while Lucas provided the
story and was executive producer) is bound to have more than its
share of terrific moments, and Temple of Doom is no exception.
But in exchanging the very real threat of Nazi Germany for the
cartoonish Thuggee cult, it loses some of the heft of its
predecessor (Raiders of the Lost Ark); on the other hand, its
also the darkest and most disturbing of the three films, what
with multiple scenes of children enslaved, a heart pulled out of
a mans chest, and the immolation of a sacrificial victim, which
makes it less fun than either Raiders or The Last Crusade,
notwithstanding a couple of riotous chase scenes and impressively
grand sets. Many fans were also less than thrilled with the new
love interest, a spoiled, querulous nightclub singer portrayed by
Kate Capshaw, but a cute kid sidekick ("Short Round," played by
Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as
the cynical-but-swashbuckling hero more than make up for that
characters shortcomings. --Sam Graham
Indiana Jones and the Last Crusade
The third episode in Steven Spielberg's rousing Indiana Jones
saga, this film recaptures the best elements of Raiders of the
Lost Ark while exploring new territory with wonderfully
satisfying results. Indy is back battling the Nazis, who have
launched an expedition to uncover the whereabouts of the Holy
Grail. And it's not just Indy this time--his her (played with
great acerbic wit by Sean Connery (
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), the perfect choice) is also involved in the hunt. Spielberg
excels at the kind of extended action sequences that top
themselves with virtually every frame; the best one here involves
Indy trying to stop a Nazi tank from the outside while his her
is being held within. For good measure, Spielberg reveals (among
other things) how Indy got his hat, the on his chin, and his
nickname (in a prologue that features River Phoenix (
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) as the young Indiana). --Marshall Fine
Indiana Jones and the Kingdom of the Crystal Skull
Nearly 20 years after riding his last Crusade, Harrison Ford
makes a welcome return as archaeologist/relic hunter Indiana
Jones in Indiana Jones and the Kingdom of the Crystal Skull, an
action-packed fourth installment that's, in a nutshell, less
memorable than the first three but great nostalgia for fans of
the series. Producer George Lucas and screenwriter David Koepp
(War of the Worlds) set the film during the cold war, as the
Soviets--replacing Nazis as Indy's villains of choice and led by
a -wielding Cate Blanchett (
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) with black bob and sunglasses--are in pursuit of a crystal
skull, which has mystical powers related to a city of gold. After
escaping from them in a spectacular opening action sequence, Indy
is coerced to head to Peru at the behest of a young greaser (Shia
LaBeouf (
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)) whose friend--and Indy's colleague--Professor Oxley (John Hurt
( /gp/search?search-alias=dvd&field-keywords=John%20Hurt+-ntsc ))
has been captured for his knowledge of the skull's whereabouts.
Whatever secrets the skull holds are tertiary; its reveal is the
weakest part of the movie, as the CGI effects that inevitably
accompany it feel jarring next to the boulder-rolling world of
Indy audiences knew and loved. There's plenty of comedy,
delightful stunts--ants play a deadly role here--and the return
of Raiders love interest Karen Allen (
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as Marion Ravenwood, once shrill but now softened, giving her
ex-love bemused glances and eye-rolls as he huffs his way to save
the day. Which brings us to Ford: bullwhip still in hand, he's a
little creakier, a lot grayer, but still twice the action hero of
anyone in film today. With all the anticipation and hype leading
up to the film's release, perhaps no reunion is sweeter than that
of Ford with the role that fits him as snugly as that fedora hat.
--Ellen A. Kim