---
product_id: 65965034
title: "Norse Mythology"
price: "₱258"
currency: PHP
in_stock: true
reviews_count: 13
url: https://www.desertcart.ph/products/65965034-norse-mythology
store_origin: PH
region: Philippines
---

# Norse Mythology

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- **What is this?** Norse Mythology
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## Description

Introducing an instant classic--master storyteller Neil Gaiman presents a dazzling version of the great Norse myths. Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology , Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people. Gaiman stays true to the myths while vividly reincarnating Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki, the son of a giant, a trickster and unsurpassable manipulator. From Gaiman’s deft and witty prose emerges the gods with their fiercely competitive natures, their susceptibility to being duped and to dupe others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again. Supplemental enhancement PDF accompanies the audiobook.

Review: A wonderful retelling of tales that many of us never knew, all done with Gaiman's wonderful style and sensibility - It’s been kind of wonderful to see Neil Gaiman’s stunned reaction to the runaway success of Norse Mythology, a book that, to be fair, really shouldn’t be as popular as it is. Let’s be clear – Norse Mythology isn’t a new novel from Gaiman, isn’t a new collection of stories. Rather, it’s exactly what the title suggests: a retelling of Norse myths by Gaiman himself, infusing the rich, vibrant Norse myths with his own dry humor and rich storytelling voice. And while the book is undeniably wonderful, you can’t help but understand where Gaiman is coming from. Books of mythology aren’t exactly your typical bestsellers, give or take a Rick Riordan novel, and Norse myths even less so – they’ve never had the cultural cachet of the Greek and Roman gods. And yet, in many ways, that’s what makes Norse Mythology such a rewarding read. Oh, yes, there’s Gaiman’s inimitable voice, which brings these tales to life as they’ve rarely been done before; with his direct, demanding Thor, his sneaky Loki, and the menagerie of creatures and tales at his disposal, Norse Mythology feels undeniably like the work of the same man who wrote American Gods and Sandman. (Indeed, any fan of American Gods will be thrilled to see the origins of some of that book’s odder scenes here.) Gaiman’s love of myth and archetype is long since established, but his joy in exploring this vein of stories really comes through in every page. But more than that, Norse Mythology works partially because of its novelty. Most of us don’t know much about the Norse myths beyond what we’ve gained from Marvel’s version of Thor and Loki (a starting point Gaiman himself shares, as he discusses in his introduction), which means that these aren’t stories we know that well. That allows the book to feel fresh and new in a way that Greek myths might not, telling stories we don’t already know – everything from the origins of poetry in the world to the creation of the wall around the world, from the beginning of it all to the final battle, Ragnarok. And in Gaiman’s hands, it’s all exciting, funny, charming, and utterly magical. More than that, though, the Norse myths don’t feel like the myths we know – and while some of that is no doubt to Gaiman’s style, much of that comes from the characters themselves, who cheat, sneak, steal, battle, and betray every bit as much as humans, maybe even more so. These are universal tales, ones that play off of classical archetypes, but plunge us into a world most of us have no knowledge of. And if Gaiman takes a little too long to set it up (the first couple of chapters, which familiarize us with the world and the cast of characters, are undeniably a bit dry, but worth powering through to the first real tales), that’s okay; we need our chance to get our bearings. So, yes, Norse Mythology is a hit, and while it may be an unlikely one, it’s not an undeserving one. It’s pure Gaiman, in terms of theme and feel; while he may not have written the plots here, they reflect his love of myth and legend, his unique sensibility, and his ability to combine the archetypal and the personal into something rich. And more than that, it’s a window into history, belief, and religion of a sort that many of us never know. It’s a wonderful read, and deserves all of its success and then some.
Review: I find it unnecessary to remind many of you of the standards to ... - The title alone is self-explanatory. This is a collection of Norse Mythology that is presented to us by Neil Gaiman. I find it unnecessary to remind many of you of the standards to which I happen to hold this particular author to. He is an auto-buy. He has proven his worth and earned that respect. He tirelessly prevails and exceeds. So I had no doubts that this beautifully and so aptly covered book would meet these high expectations. What is presented to us is a masterfully crafted interpretation of myths that are easily engaging equally for readers with a solid background in Norse mythology to those with little to no previously working knowledge. I admit that I fall into this latter category. In fact, I believe most of my learned mythology was derived from comics and video games. My high school and college studies tend to have leaned more heavily towards Greek mythology. So I can claim not true intellectual comprehension, I speak only of what I took away from this reading. This was an experience that read more of a worthy and fascinating history than simply fiction. We are given a clear concept of the events that unfolded during the lives of Odin, Thor and Loki. The stories are delivered in an almost simplistic yet impactful and memorable manner that has made the entire event flawlessly engrossing and informative. Gaiman has taken something older and complex at times and made it approachable for every individual. After a welcoming introduction, we are immediately introduced to the key players and some familiar Gods for many of you: Odin – He is oldest of all gods and the all-father, he is known by many names. Thor – He is known for his strength and his legendary hammer Mjollnir, he is a son of Odin. Loki – He is known for his wit and looks. He is a constant thorn in the sides of the other gods and Odin’s blood brother. Don’t fret, Gaiman has left no stone unturned including many other gods and characters that are familiar to Norse mythology, including dear Freya. I attribute part of the successful execution of Norse Mythology to just how well Gaiman has managed to divide each story and narration appropriately. He has even so kindly inserted a thorough glossary for those who find themselves in need. The reading process is fluid and effortless. This is a title that could easily be consumed within a few hours. We are graciously gifted 15 stories within this beautiful title. My favorites would include: Mimir’s Head and Odin’s Eye Freya’s Unusual Wedding Hymir and Thor’s Fishing Expedition The Last Days of Loki If I had to choose an absolute favorite god, it would be Loki. For all of his mischief and arrogance, there was a great amount of entertainment to be found within his exploits and adventures. He truly is cunning. “Because,” said Thor, “when something goes wrong, the first thing I always think is, it is Loki’s fault. It saves a lot of time.” “He is tolerated by the gods, perhaps because his stratagems and plans save them as often as they get them into trouble. Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.” Gaiman has vividly painted the worlds of Asgard and beyond with great clarity. This fascinating history of mythology unfolds in a way that only he could make happen. His ability to weave endlessly enchanting stories full of magic and promise carry you effortlessly on a journey from the very birth of Odin to Ragnarök. Even those with zero comprehension of Norse mythology will walk away feeling knowledgeable and satisfied. ⭐ ⭐ ⭐ ⭐

## Images

![Norse Mythology - Image 1](https://m.media-amazon.com/images/I/61D9CcNEoVL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A wonderful retelling of tales that many of us never knew, all done with Gaiman's wonderful style and sensibility
*by J***E on February 20, 2017*

It’s been kind of wonderful to see Neil Gaiman’s stunned reaction to the runaway success of Norse Mythology, a book that, to be fair, really shouldn’t be as popular as it is. Let’s be clear – Norse Mythology isn’t a new novel from Gaiman, isn’t a new collection of stories. Rather, it’s exactly what the title suggests: a retelling of Norse myths by Gaiman himself, infusing the rich, vibrant Norse myths with his own dry humor and rich storytelling voice. And while the book is undeniably wonderful, you can’t help but understand where Gaiman is coming from. Books of mythology aren’t exactly your typical bestsellers, give or take a Rick Riordan novel, and Norse myths even less so – they’ve never had the cultural cachet of the Greek and Roman gods. And yet, in many ways, that’s what makes Norse Mythology such a rewarding read. Oh, yes, there’s Gaiman’s inimitable voice, which brings these tales to life as they’ve rarely been done before; with his direct, demanding Thor, his sneaky Loki, and the menagerie of creatures and tales at his disposal, Norse Mythology feels undeniably like the work of the same man who wrote American Gods and Sandman. (Indeed, any fan of American Gods will be thrilled to see the origins of some of that book’s odder scenes here.) Gaiman’s love of myth and archetype is long since established, but his joy in exploring this vein of stories really comes through in every page. But more than that, Norse Mythology works partially because of its novelty. Most of us don’t know much about the Norse myths beyond what we’ve gained from Marvel’s version of Thor and Loki (a starting point Gaiman himself shares, as he discusses in his introduction), which means that these aren’t stories we know that well. That allows the book to feel fresh and new in a way that Greek myths might not, telling stories we don’t already know – everything from the origins of poetry in the world to the creation of the wall around the world, from the beginning of it all to the final battle, Ragnarok. And in Gaiman’s hands, it’s all exciting, funny, charming, and utterly magical. More than that, though, the Norse myths don’t feel like the myths we know – and while some of that is no doubt to Gaiman’s style, much of that comes from the characters themselves, who cheat, sneak, steal, battle, and betray every bit as much as humans, maybe even more so. These are universal tales, ones that play off of classical archetypes, but plunge us into a world most of us have no knowledge of. And if Gaiman takes a little too long to set it up (the first couple of chapters, which familiarize us with the world and the cast of characters, are undeniably a bit dry, but worth powering through to the first real tales), that’s okay; we need our chance to get our bearings. So, yes, Norse Mythology is a hit, and while it may be an unlikely one, it’s not an undeserving one. It’s pure Gaiman, in terms of theme and feel; while he may not have written the plots here, they reflect his love of myth and legend, his unique sensibility, and his ability to combine the archetypal and the personal into something rich. And more than that, it’s a window into history, belief, and religion of a sort that many of us never know. It’s a wonderful read, and deserves all of its success and then some.

### ⭐⭐⭐⭐ I find it unnecessary to remind many of you of the standards to ...
*by T***D on February 13, 2017*

The title alone is self-explanatory. This is a collection of Norse Mythology that is presented to us by Neil Gaiman. I find it unnecessary to remind many of you of the standards to which I happen to hold this particular author to. He is an auto-buy. He has proven his worth and earned that respect. He tirelessly prevails and exceeds. So I had no doubts that this beautifully and so aptly covered book would meet these high expectations. What is presented to us is a masterfully crafted interpretation of myths that are easily engaging equally for readers with a solid background in Norse mythology to those with little to no previously working knowledge. I admit that I fall into this latter category. In fact, I believe most of my learned mythology was derived from comics and video games. My high school and college studies tend to have leaned more heavily towards Greek mythology. So I can claim not true intellectual comprehension, I speak only of what I took away from this reading. This was an experience that read more of a worthy and fascinating history than simply fiction. We are given a clear concept of the events that unfolded during the lives of Odin, Thor and Loki. The stories are delivered in an almost simplistic yet impactful and memorable manner that has made the entire event flawlessly engrossing and informative. Gaiman has taken something older and complex at times and made it approachable for every individual. After a welcoming introduction, we are immediately introduced to the key players and some familiar Gods for many of you: Odin – He is oldest of all gods and the all-father, he is known by many names. Thor – He is known for his strength and his legendary hammer Mjollnir, he is a son of Odin. Loki – He is known for his wit and looks. He is a constant thorn in the sides of the other gods and Odin’s blood brother. Don’t fret, Gaiman has left no stone unturned including many other gods and characters that are familiar to Norse mythology, including dear Freya. I attribute part of the successful execution of Norse Mythology to just how well Gaiman has managed to divide each story and narration appropriately. He has even so kindly inserted a thorough glossary for those who find themselves in need. The reading process is fluid and effortless. This is a title that could easily be consumed within a few hours. We are graciously gifted 15 stories within this beautiful title. My favorites would include: Mimir’s Head and Odin’s Eye Freya’s Unusual Wedding Hymir and Thor’s Fishing Expedition The Last Days of Loki If I had to choose an absolute favorite god, it would be Loki. For all of his mischief and arrogance, there was a great amount of entertainment to be found within his exploits and adventures. He truly is cunning. “Because,” said Thor, “when something goes wrong, the first thing I always think is, it is Loki’s fault. It saves a lot of time.” “He is tolerated by the gods, perhaps because his stratagems and plans save them as often as they get them into trouble. Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.” Gaiman has vividly painted the worlds of Asgard and beyond with great clarity. This fascinating history of mythology unfolds in a way that only he could make happen. His ability to weave endlessly enchanting stories full of magic and promise carry you effortlessly on a journey from the very birth of Odin to Ragnarök. Even those with zero comprehension of Norse mythology will walk away feeling knowledgeable and satisfied. ⭐ ⭐ ⭐ ⭐

### ⭐⭐⭐⭐⭐ Great Story Telling and Fabulous For Reading Out Loud!
*by H***R on July 23, 2017*

This is genuine storytelling in the oral tradition. It is deliberately written as if you were listening to a grandmother telling the tale around the fire. Picture her waving her arms and leaning forward to emphasize a point, her voice going gutteral and silken interchangeably as she voices a giant or the Trickster Loki. A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen. It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that." It is a great story, with a perfect comedic last line. I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods. I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once." I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover. 5 stars and a book to re-read with great pleasure! Happy Reader

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