Sennheiser Professional HD 280 PRO Over-Ear Monitoring Headphones and Amazon Basics Standard XLR Male to Female Balanced Microphone Cable, Durable & Flexible, Noise-Cancelling - 6 Feet, Black

I am very pleased with these headphones.I got these headphones to plug into a Allen & Heath sound board. I want to have a clear sound coming off the board to balance the sound from various inputs during live streaming events. I wanted something that was not too expensive but still quality for live streaming events. I have a higher quality headphones for true audio events.The headphones are clear and have great sound. There are a great fit for everyday use and live streaming events. There is some amplification of the sound but very workable.They are comfortable to wear and won't hurt your ears for extended use. Most of my streaming event last around 2 hours.

the folks at Sennheiser must not have large heads. As with about every pair of headphones that I try on, I had to extend these all the way to fit. After a few months of daily use, the plastic headband began to develop small cracks. Now the cracks are growing and I fear that the whole thing will just snap one day. Unfortunately, that is one of the parts that isn't listed as replaceable.That said, people who look at this headphone are looking for: a) quality sound synonymous with the name Sennheiser b) excellent noise reduction.a) The sound from these phones is excellent. The standard criteria are there. The signal is very clean, thanks in part to the oxygen free copper cabling used. Bass is controlled and precise so a timpani doesn't sound muffled. Higher frequencies do not hiss and the phones are able to drive high frequency sounds and pull out details lost by consumer grade headphones. Soundstage is fairly narrow as some have said, but much better than consumer sets that sound like the sound source is inside your head. Of course, a DSP solution for soundstage expansion could help if someone didn't like the soundstage.What people should realise is that most music is optimised for listening on a stereo system and not headphones. A search for "binaural music" will yield samples that show how music should be sampled for headphones. Anyways, the HD-280 Pros also have 64 Ohms of resistance so an amplifier isn't needed.b) The biggest impression I got from these phones is silence. Not total silence, since with the headphones on I could still hear outside noise. Once the music starts playing, however, music is much clearer because background noises have been attenuated so effectively.That was the biggest attraction of these headphones. For my sound processing work, ambient noise from my computer and the outside world are suppressed admirably. 32 decibels is a lot of sound attenuation, far more than the Active Noise Reduction sets from Bose or even Sennheiser. The HD-280 Pros use passive noise attenuation. This means that for the phones to supress outside noise effectively, they have to be tight. They are very tight in fact. Four Newtons of force are applied, a number significantly larger than most headphones. If it weren't for the thoughtful padding, they would feel as uncomfortable as firing range headsets. Passive noise attenuation also means there is no artifacting from electronic noise that is usually the case in Active Noise Reduction sets.If you have a very large head, a solution is to find in-ear phones (the expensive Etymotics sets have even better sound quality and noise reduction). If you are sensitive to tight headphones, a solution might be the Active Noise Reduction sets (although they aren't as good sonically). If you listen to sound in a very very quiet environment, Grados or some other Sennheisers would probably get you that better soundstage for the money.If none of these situations applies to you, then these phones will provide better sound through their native excellent quality and their superior noise attenuation. After all, the listening experience with Sennheiser 600's on an Audigy 2 card or a tube amplifier is diminished with that noisy computer fan in the background.All in all, these phones are HIGHLY RECOMMENDED.*** UPDATE, October 20, 2009 ***Wow, well these headphones are still ticking after over six years and I'm pretty rough with my equipment! Cheap headphones break after six weeks for me because the cable gets pulled or I mess up the speaker so these Sennheisers are pretty solid.Just as I feared though, the plastic HAS cracked and you can see the thin wires (covered in plastic or rubber) exposed. Now that most of the plastic on the headband has broken off, the fit is quite a bit looser though the headband is still held together by a wide piece of metal. I just wish they would just make a nice metal headband to avoid the plastic cracking issue.While I like the fact that they aren't so tight, I don't like the fact that richness (low-end midrange and bass) suffers because of it. You can simulate this when listening by pulling the headphones slightly apart. It isn't noticeable on light music though and might not be an issue with newer versions of the HD-280 Pro.The ear cushions on my 6+ year headphones are worn past the leatherette, past the foam and to the foam backing layer. The top is looking ratty as well. Replacement ear cushions are around $20.00 which isn't cheap. I'll probably skip that in favor of a new pair of HD-280s - especially if they've been redesigned for larger heads as some people are indicating. I'll keep this pair around as beaters until they quit on me. However, now that I've quieted my working area, sound isolation isn't as critical to me as it was before so I might take a look at other Sennheisers.

I did a lot of research to find headphones that would deliver what I wanted. I'm fairly picky about sound and am very easily bothered if parts of the sound range are artificially boosted or otherwise out of balance. Which describes most of the common headphones that are out there these days with their amplified bass, muddy notes and uneven middles and/or upper notes.Just as a point of comparison, I looked closely at Audio Technica because I had gotten the chance to try two of their models. The sound was a lot better than most, fairly clear and defined overall. Nice. Seemed slightly muddy though on the finer details. And somewhere in the middle range felt a little 'off' to me in ways I don't know how to describe. And parts of the sound profile sounded farther away than other parts. Subtle but it was there. So they were nice in many ways but not quite satisfying for me the longer I listened to them. Additionally, the m50s (the more popular of the two models I tried) had a noticeable amp on the bass which also wasn't quite my speed. Though that's pretty common knowledge about the m50s, so hardly a surprise.I also seriously considered the Sennheiser HD 598 headphones. The reviews are tempting but I just can't have open-back headphones in my current living arrangements. I need at least some ability to shut out noise because of bad neighbors, etc. Even though the 280's are not noise reduction headphones, they do an amazing job of dampening outside noise without any fancy technology. Not only is my music nearly unhearable to anyone sitting in the same room with me, but noises in the room around me are partially blocked out even when I'm wearing my 280's without any sound playing in them. Something to do with how closely they fit I think, seems to automatically dampen some of the noise around me. So they fall somewhere inbetween actual "noise reduction" headphones and normal on-ear headphones which block out nothing at all. Seems to be a little more so than other over-ear headphones as well. Overall, that's been nice.I was concerned at first about the 280's since many reviews noted they have a decent clamping fit on the head. I have had huge problems in the past with various on-ear headphones which clamp too hard against my ears and cause physical pain. I knew these were cupping around the ears instead of directly on-ear, but I was still more than a little concerned that this "clamping" might be too tight to be comfortable. Thankfully this has proved to fine. When I first put them on, there was a noticeable sense of "pressure" on the sides of my head, but not bad enough to be outright uncomfortable or anywhere close to painful. Thankfully within the first 12 hours of use, they seem to have relaxed a bit and now are plenty comfortable to wear for long hours without issue. Occasionally if I don't have them adjusted right, one of the ear pads can end up resting slightly onto of the edge of one ear, which can become uncomfortable hours later. But it's simple to adjust them on my head. Usually happens if I was in a hurry in putting them on and since they are comfortable enough I won't notice for awhile that it wasn't on quite perfectly.As for sound, they've been pretty much exactly what I was looking for. The sound is natural, pretty much like real life. No artificial boosts or drops in parts of the range going from high to low. Sound is nicely crisp and defined, no muddy areas. Holds up when listening to a wide range of genres, from rap to classical, pop to country, acoustic to electronic. Watching movies works fine. The lack of bass boosting is more noticeable on genres that overly rely on the bass being boosted and didn't actually balance their music enough without it. So some rap, some dance, some action movies will have a little less 'umph' to them than you might expect or than they seem to have intended. I count that as a mistake on the original mixer's part though and still prefer to hear what is actually there rather than an overly beefed up version of it which a bass boosting amplified headphone would give me. Plenty of rap and dance music holds up though, so it's really down to whether or not the people who mixed it in the studio did their job correctly or if they had cut corners in the production thinking it wouldn't be noticed. I suspect if I had a portable amp to plug them into, I could get the best of both worlds for those songs and movies where production fell a little short. For me, it doesn't really bother enough to sweat it.The sound on these headphones do feel like it comes from the room around me (even though it isn't actually) rather than the pads on my ears or inside of my head. Again, this headphones have a more natural feel to their sound than anything I've tried before. Some say "flat" but I say "real" in a way that feels more true to the sound it should be.There is one minor and subtle thing I did notice with these: sometimes I have to fiddle the volume up or down just a slightest hair to get a song to sound at its best balance-wise. I suspect that this is where the fact that these are only a $99 pair and not something higher grade shows. Still, it really isn't bothersome, only just barely noticeable and more than acceptable for a $99 dollar set of headphones. So for a newbie audiophile, these do the job and keep me satisfied. I am sure I will eventually explore higher grade audiophile headphones at higher price points. But for now these are hands down the most satisfying I have found for around $100 with closed backs. Not for bassheads though. If you love a decent sound but still love a bit of bass amp, you should probably choose the Audio Technica m50 over these. If you like an even and more natural sound at this price point, these Sennheiser HD 280 Pro's are worth it and a solid choice. They are exactly what I was looking for and the only ones in this bracket which don't actively bother me. In fact, I can forget it's through headphones and just focus on what I'm doing instead. So just in case any of this helps anyone else who may be pouring over hundreds of reviews trying to imagine what these vs other headphones would be like, just like I was a few months ago. Best of luck on your quest!